Sounds like Barney is determined to prove that he hasn’t abandoned shit. “Family was always our sacred mutual mission / Which you abandoned,” she sings on “Black Lake” from her new album Vulnicura. The pair split in 2013, after which Björk penned what some might call a “ diss track” about Barney’s role in dissolving their family structure. Barney claims that Björk is hogging the child, who would really like to spend more time with her dad. The teenager cites the cult singer-songwriter and harpist as an inspiration, so much in order that “I took harp lessons for three months as quickly as, because I was like, I want to find a way to emulate this – that is magical”.Matthew Barney, the ex-partner of musical goddess Björk, sued the artist in Brooklyn Supreme Court on Wednesday for more “equitable custody” of their 12-year-old daughter Isadora. In a excessive, fluting, sweetly melodic voice, over harp she plucked herself, Doa sings ’81, from 2010’s Have One On Me, the third album by Californian musician Joanna Newsom. That’s how she’s credited on Songs We’re Sung, a compilation album put collectively in New York and launched last summer to boost money for non-profit Refugees International.Īccording to the album’s Bandcamp web page, it was “inspired by the concept of having different artists from around the globe do covers of songs that have been both sung to them by their dad and mom as youngsters or songs that general had a strong impression on the artist’s childhood”. Her full given name is Ísadóra Bjarkardóttir Barney. Melkorka is her Icelandic slave identify, and he or she likes to sing, so take that as you may!” Doa says, meaningfully, however with a snicker. “She’s on Anya’s team, within the kitchen. She’s an Irish lady, 16, held captive on an Icelandic farm. In the American director’s intense-looking 10th-century revenge saga – which is all mud, rain, snow, spear-throwing (and catching), bare-chested warriors, whey-faced wenches, witchy ululations and fierce rowing of longboats – first-time actor Doa plays Melkorka. Due out in April, it stars Alexander Skarsgård (last seen as Succession’s “slab of gravlax” GoJo tech-bro Lukas Matsson) in the title role, alongside Anya Taylor-Joy, Nicole Kidman, Willem Dafoe and Ethan Hawke. That’s how she’s credited on The Northman, the forthcoming Viking epic from Robert Eggers (The Witch, The Lighthouse), who co-wrote the script with Icelandic poet Sjón. Then, when she’s performing, Doa goes by Doa Barney. On Instagram, the 19-year-old is d0lgur to her 11.7k followers. “All of these names, because it was all me, are all simply totally different variations of my very own name,” says Doa, smiling and fidgeting only a bit embarrassedly. They had been, sequentially, the actor (leikur), director (leikstjórn), author (höfundur), director of images (ljósmyndastjórn), editor (klippun), costume design (búningahönnun) and 1st AD (er, 1st AD). Having begun with the phrases “Haust 2020” (“autumn” in Icelandic), the Belfast-set video diary ended 510 seconds later with the solid and crew credits: ísadóra, dóa, faun, bjarkardóttir, barney, dragu and stuntgirl. When the novice filmmaker posted Almanak on YouTube, on 21st November 2020, she wrote, in the credit, simply: “short film by doa”, no indefinite articles or capital letters required. Taken from the new print issue of THE FACE.
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